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What is mastering?

Mastering is the stage where the mixed two track master is artistically enhanced and technically prepared to be sent for manufacture. It is the final technical and creative stage in a project and the last opportunity to fix any technical and artistic shortcomings.

A good mastering job will enhance your mix with tangible qualities such as volume, tone and impact. You will also find that it can bring forward many more intangible qualities such as perceived size, space, depth, width , dynamics, groove, liveliness, drive and sheen. It can add new harmonic content giving warmth, body, musicality and even a sense of new atmosphere.When audio is passed through the very same analog equipment as many familiar classic recordings, familiarity and even a "classic quality" can be given to a project.

On a technical level Mastering will balance the sound of recordings, made at different studios or from recordings made over extended periods of time. Tracks that had previously sounded very different can be made more naturally flowing throughout an album.

Mastering at Poons Head

Poons Head mastering utilises the best of both analog and digital processing. Analog tube equalisers and compressors  from Manley, Tube-Tech ,Pultec, and Telefunken. Solid state analog processing from Class A Trident and Neve. Digital conversion is provided by Lavry Gold, Lavry Black, Digital Audio Denmark, Apogee and Benchmark.

Sequoia 11 is the DAW of choice offering features such as ISRC coding and DDP masters. Highest quality digital equalisation and audio restoration  is provided from the complete Algorithmix suite, featuring 'Renovator'. Universal Audio powered plug-ins ,Sony and Waves also add to the palette on digital offer. Sample rate conversion is provided by Weiss.

  Analog tape machines including Ampex ATR1/2" two track- 1/4" stereo, 1/4" mono  and Studer 1/4" stereo - provide quality tape processing and master playback. Monitoring is provided with Duntech Sovereign and Lipinkski speakers through Pass Labs and Threshold Amplification. The dedicated monitoring room is a large 176 cubic meter space with RPG and Jeff Hedback custom timber acoustic treatments. Acoustic design by acclaimed USA Acoustician Jeff Hedback.

Equipment Used

MONITORING

DUNTECH SOVEREIGN C 6000 MK IV
LIPINSKI L707
PASS LABS X2.5 Pre-Amp
PASS LABS X600 1200W Mono Block x 2
THRESHOLD SA12 350W Class A Mono Block x 2

RECORDERS
› ANALOG

AMPEX ATR 102 1/2" Stereo with Dolby SR
STUDER B67 ¼" Stereo
STUDER B67 ¼" Mono
STUDER B62 ¼" Stereo
AMPEX 351 ¼" Mono Tube
AMPEX AG 350 ¼" Mono

› DIGITAL

SEQUOIA v11.2 Digital Audio Workstation
TASCAM DV-RA1000 192KHz PCM & DSD / CD / DVD Recorder
TASCAM DA45 - 24 Bit DAT Recorder x 2
SONY PCM 501 (Apogee mods. filters + digital out)
HHB 850 PLUS CD Recorder plus wordclock
PLEXTOR CD Recorder

› A/D and D/A CONVERTERS

DIGITAL AUDIO DENMARK AX24 (384kHz 8 Channel DA and AD) x 2
LAVRY AD122-96MkIII
LAVRY DA-10
BENCHMARK DAC1
APOGEE DA-16X (192kHz 24 Bit 16 Channel Converter)
TASCAM DSD Converters (RA 1000)
RME Hammerfall HDSP AES32

SOFTWARE PLUG-INS

ALGORITHMIX LINEAR PHASE PEQ RED
ALGORITHMIX LINEAR PHASE PEQ ORANGE
ALGORITHMIX RENOVATOR
ALGORITHMIX SCRATCHFREE PRO
ALGORITHMIX NOISEFREE PRO
WEISS SARACON SRC
UNIVERSAL AUDIO UAD-2 Quad
UNIVERSAL AUDIO UAD-1
( Complete range of all UNIVERSAL AUDIO plug-ins )

COMPRESSOR/LIMITERS

TUBE-TECH SMC-2A Tube Multi-Band Compressor/Limiter Stereo
TUBE-TECH LCA 2B Tube Compressor/Limiter Stereo
MANLEY VARIABLE-MU Tube Compressor/Limiter Stereo with Mid/Side and T bar mod
NEVE 2254/a Compressor/Limiter x 2
GATES STA-LEVEL Tube Vari-mu Compressor x2
FAIRCHILD 666 Tube Compressor

EQUALIZERS

MANLEY MASSIVE PASSIVE Tube EQ Stereo
TRIDENT CB 9066 Class A EQ x 2
PULTEC EQP - 1A3 Mono Tube Program EQ x 2
PULTEC MEQ5 Mono Tube EQ
TUBE-TECH PE1C Mono Tube Program EQ x 2
TUBE-TECH ME1A Mono Tube Mid EQ x 2

LINE AMPS

TELEFUNKEN V74 Tube x 5
NEVE 1272 x 6

TURNTABLE

LINN SONDEK LP12 + ITOK arm
SHELTER 501 moving coil cartridge
EAR 834P phono stage

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